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Writing Roadblock

Over the last several months I’ve found myself stuck whenever I try to work on a few of the short memoir pieces I’ve started. It’s a repeating pattern. An idea, then great first line hook, a couple of paragraphs which flow out easily onto the page, and then a long slow coast to stuckness, followed by lament. My in-progress folder is now littered with a quartet of these.

Then suddenly in the middle of this writing roadblock, a complete flash piece pours out. I tweak it, get feedback, revise a bit and it’s ready for its next stage. All while the others still languish unfinished. Hoping the energy from completing something (anything!) will energize my efforts, I turn back to one of the languishers. Fizzle.

I think I missed this sign when starting on the road to make sense of traumatic experiences through memoir.

My work in therapy has also been at something of a standstill since the pandemic started. First being disconnected from a safe place ground work to a halt. Then working though every day challenges and finding a path forward for life in this changed world took over my sessions. When bits and pieces of traumatic memories come up from time to time, they are only worked with until they can be packaged and put on a shelf safely for later. Whenever that might be.

Earlier this week I was digging into a memory about a reflections book I’d used a decade ago. I was trying to make sense of what had happened to it, where it had gone. When my memory failed I turned to my journal. Sure enough I found the answer of when I’d used it and with prompting recalled why I’d stopped. Once I’d solved that puzzle I continued on to skim through a bunch of old entries, finding myself coalescing around the summer when memories of my childhood trauma started flooding back to me.

Field of Blue FLowers
So much was fuzzy during that summer of forgotten memories. I could only focus on one at a time, but each and every one got their moment in the sun before fading into the background.

My writing from that time brought back the mad, headlong rush to get down everything I was remembering – before I forgot it all again. In rereading, I found memories I’d forgotten again, and felt the bite of re-remembering horrors I’d not wanted to know. Now though, I can turn the page and move on, the memories contained for the time being in those pages. However the next next (likely disquieting) memory is just a page or two later. As I read through those raw memories of unprocessed trauma I experienced that summer, something tugged at a corner of my mind. I couldn’t quite see it, but I knew it was there just beneath the surface.

A few days later I recounted this experience to my therapist from the safety of the couch in her plant and book lined office. As so often happens in therapy for me, talking about my experiences allows the lines connecting parts of my past to take on sharp relief, becoming suddenly visible. In a moment I saw my writing roadblock in a new way – why some pieces sat unfinished, untouchable, and why others were essentially completed in a single sitting.

Every piece I’d finished was about my experiences since I’d started therapy, since I’d taken control of my life and started working to live in the light of the present. The others? They were all from the shadows of the past, the before times. They were filled with the raw emotions and and unexplained experiences which pulled me to write about my childhood, to find meaning. This pull was also my downfall. I was writing about unprocessed traumatic events which pushed me out of my window of tolerance and straight into the floundering fields of numbness.

Window
Staying in my window of tolerance means working with things one drop at a time.

To write about my childhood experiences, I am going to have to do work in therapy with them. The memories I want to make sense of need to be processed, bit and piece at a time in a safe place. Some can be processed on the page, perhaps in my journal, and eventually as memoir, but much of my work will be done on that couch. I will explore with someone to guide me, to help pull me back, to give perspective. What I am writing about will guide my work processing trauma, and the work in therapy will help me to write. Interweaving the two means having a way finder to help me see the roadblocks, to point the path to through or around so I can make progress in both healing and writing. Because I now see for me, healing and writing are one and the same.

My road ahead is full of twists and turns to work through and around writing roadblocks- there is no map, but I have a guide.

Goodbye Colorado

Colorado, so often you have been my escape from an overwhelming life. You have been a place to dwell when the current moment becomes too much, somewhere the darkness cannot follow. For years you have been where I go to be safe, if only in my mind. Now, I’m afraid I need to say Goodbye to you Colorado. I’m afraid I might not need you again.

I will miss your summers with the river burbling softly through downtown Breckenridge past the coffeeshop. I will miss being covered by a sky ringed with your mountains. I will miss the inky nights glistening with stars. I will miss your blazing aspens of fall. I will miss the safe solitude of your Rockies. You are my place to hide when the world around me is unsafe on the worst days.

Blazing fall Aspen over the mountains surrounding Breckenridge, Colorado.

During the summer of a decade past, the thin air of your mountains stole the breath of someone I’d been trapped in a relationship with. Your altitude defeated their body’s lungs, and so they were sent down, banished from your high country never to return. You opened your doors to me yet kept them out, an experience I’d seldom known. You showed me I could find a place safe from them and escape the trap of my life. You gave me a space where they could not follow, where I could be free. So, I used that freedom to build an escape I could use anytime.

In younger years before your summer gift, and long before memories fell out of their hiding place deep in my head, I visited you many times. I walked among your spiking, soaring, snowcapped mountains which filled me with awe. I found tranquility meandering your meadows on the roof of the continent. You lifted my heart to the sky and gave me hope. I was never sure why I needed your hope, but I found my heart grew less heavy when held in your embrace.

Mountian towering over the town of Frisco, Colorado in Summit Country.

Over the years following that freeing summer visit, I often returned to days spent with you in Breckenridge, seeking once again the calm and comfort I’d experienced. I used simple reminders to pull me back to you: a hat I’d purchased to support historic preservation in town, photos of your landscapes, and the intense memories of how it felt to be there with you. Any of these could take me back in an instant to your comfort and safety of that brief summer visit,

You became the first of a series of was bookmarks in the weather app on my phone: Breckenridge, Disneyland, Vancouver, San Francisco, and Seattle. Places I learned to hold for myself, to recall safety. All a means of escape. Yet you are my first and best momentary refuge from the world around me. Checking your weather in Breckenridge gave me stolen moments of snowy streets, cool summer days, and everything in between nestled amongst the peaks of the Colorado Rockies… a moment of safe disconnection from my current overwhelming experiences.

A fence post overlooking the Front Range across the dry fall meadows of the Rocky Mountain Arsenal National Wildlife Refuge.

Not long ago the thought of never seeing you again, of never being in your safe embrace, would have been an inconsolable loss. And yet, now I can live with the possibility. Something has changed.

This fall I had the opportunity to visit you again, this time with my wife. It was our first real trip to a distant land since the pandemic changed our world in so many ways. It was her first time into the depths of the peaks of your Rockies.

A rock in the middle of the Colorado Rocky Mountains.

On the morning of our second day, my wife awoke long before dawn with signs of altitude sickness. Most of a lifetime spent away from her birthplace on the edge of the southern rockies had dulled her acclimation to altitude. We faced a choice. We could wait out her sickness and hope she recovered before we had to leave in just over another day, or descend. Despite the pull of your spiring stone, your sky, and your newly fallen snow, without hesitation I told her we needed to descend. The thought of her misery outweighed any sense of joy I might feel in your arms.

Not long after dawn we descended through your mountains making a few stops- one for tea and two for photos. As we descended she felt better, and incongruously, so did I.

I felt content, even whole. I was comfortable with descending from my safe place within you.

Mountian peaks reflected in the  Dillon reservoir in Summit County Colorado.

For so long Colorado, I’ve needed you to survive, but now I’ve found that a peace dwells within me. I’ve found safety in the person I share my life with. Bit by bit I am discovering myself. I am no longer trapped by my past and so I no longer need you to get through each day. Now, I look forward to seeing you again soon to enjoy your embrace, instead of needing you to be able to escape my past just to survive this moment.

Sunset behind the Colorado Rockies Front Range with a contrail high above.

Goodbye Colorado, and thank you.

Strolling in the Light

Over the last few months I’ve been feeling photography grow ever more comfortable. When I posted earlier this year about taking photography back from childhood trauma, about making the hobby mine again, I had reached a point where it had switched from being a trigger to a pleasure. Lately something unexpected has happened – photography has become solace.

Since memories of childhood trauma came pouring forth the best part of a decade ago, I’ve often found myself wondering how to make sense of my life experiences. Though I have explored the disjoint, terrifying memories in the safe embrace of my journal and therapist’s office, I wrestle with how to translate these experiences onto the page. I yearn to tell my story, yet how to do so without scaring my readers or befuddling them with disconnected slivers of memory has long evaded me.

Since the summer, I’ve been mentally rummaging in the junk drawer of my mind, going back over experiences trying to find a common framework from which to make sense of things. Unexpectedly I discovered photography showing up all over life, not just in my trauma memories. From pictures of childhood events, to family voyages photographically assaying the American West, to images of my own independent travel and those of my son, photography is the river that has flowed through my experiences. The negatives and positives of my life are all connected by an unending spool of film.

As I worked through all of this in my journal, I actually could give attention to it for the first time. Instead of shying away because of being triggered, I was able to embrace the idea of using photography, both mine and my father’s, as a way to understand my own story.

Bolstered by this framework of how the pieces of my life might fit together into a cohesive whole, I let myself slip more into photography. I let it envelop me, become part of how I see the world again. I finally looked back over my catalog of pictures from the last 20 years and beyond. I started to write a mixed media essay with some of those photographs. I began to read about photography and cameras, which I had never been able to do before. In daily life occasional images would impress themselves on me. Bright pansies in a planter surrounded by the browning world of late fall caught my eye one day, a Christmas wreath around a streetlight another, and Thurman with a particularly vivid background on yet another. Interesting images were all around me, I simply started noticing.

I found myself wandering around the neighborhood, camera in hand allowing my eye to once again see things as the camera might. I’d found something I never thought I would experience again: the countenance between light and dark, the sharp joyful spark of color, the excitement of the unexpected caught still. Small, even inconsequential things became my subjects and created a smile as I found life in the ability to represent things as I saw them.

A crossroads in the sky.

I am no longer only tolerating capturing an image. I’m finding joy and life in creating with my camera. I’m using photography as a tool to help myself now. When I go numb, disconnect or get anxious because I am overwhelmed by memories, a walk with the camera grounds me to the earth. These walks connect me to things waiting to be seen, to life itself because in order to capture the world as I see it, attention must be given to the present instead of what is going on inside. I am forced out of the darkness of images trapped inside my mind to instead experience the light of the world around me.

In the land of the pansies, the purple queen reigns.

Somehow moving toward instead of away from memories of my father the photographer has allowed me to work on accepting the duality of my relationship with him. In turn I have felt a peace develop around cameras, photography and how they weave into the fabric of my life. Once again photos are an outlet for me to express myself as an artist, instead imprisoning me.

There is still darkness in photography for me, but as long as I walk in the light, darkness lives only in my past.